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In Camera: Perfect Pictures Straight out of the Camera, by Gordon Laing
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About the Author
Gordon Laing has been reviewing new digital cameras since the Apple Quicktake was launched in 1994. In the decades since, they have changed beyond all recognition, and Gordon has built a huge following with his in-depth review website, CameraLabs.com. With its impartial, real-world, expert tests of new models, and huge archive, Camera Labs has become a unique and essential resource for anyone buying a new camera. In fact, it's a fair bet that Gordon's shot with more different camera models than any other living photographer. Pushing cameras of all kinds to their technical limits has given him a unique knowledge of hands-on shooting in real-world situations, and In Camera shares his expertise to the full.As of December 2015, Camera Labs serves over 1.5 million pages to over 500,000 unique visitors a month. Gordon's video reviews on YouTube have been watched over 32 million times, and he has a strong following on the leading social networks: over 6,000 subscribers on Twitter, 259,000 on Facebook, 1 million on Google+, 3,400 on Instagram and 88,000 on YouTube.
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Product details
Hardcover: 208 pages
Publisher: Ilex Press (April 4, 2017)
Language: English
ISBN-10: 9781781573617
ISBN-13: 978-1781573617
ASIN: 1781573611
Product Dimensions:
7.8 x 0.8 x 10 inches
Shipping Weight: 1.8 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
82 customer reviews
Amazon Best Sellers Rank:
#51,571 in Books (See Top 100 in Books)
Gordon Laing is well-known for his highly detailed camera reviews, and for his witty podcasts, which also evaluate camera gear. It's good to see a collection of his photographs. All the shots are taken with mirrorless cameras, and the images are unedited JPEGs. His point, made well by the images and text, is that highly excellent photographic images can be produced without post-processing of RAW files.Do note that Mr. Laing studiously chooses which film simulations he applies in camera, and may also dial in adjustments to contrast or saturation in the camera's JPEG parameters before shooting.. One can think of this technique as pre-processing, as opposed to post-processing. Or, one could simply consider it to be skillful photography. His approach with JPEGS is not simply to put the camera on automatic, then point and shoot JPEGs without the photographer's input. Instead, he employs a thinking photographer's workflow to produce a beautiful JPEG in camera.Such a technique, while using the sometimes disdained JPEG, encourages the photographer to slow down. He requires knowledgeable adjustments to the exposure and JPEG parameters before shooting, instead of shooting RAW and pushing sliders in post-processing.The book is well-printed, the images are beautiful, and it's a "two thumbs up" purchase for the photo enthusiast.
When I briefly reviewed the books description, I thought the book would provide details about various jpeg settings, benefits, use of such in different environments. That is, when and how to use contrast, saturation, sharpness for in camera jpegs. I also thought the book would discuss shooting raw, and then applying various jpeg adjustments in camera. Neither of these are addressed. Rather, this book is a compilation of dozens of travel photos, indicating the basic triangle of shutter, f stop and iso, along with pre defined jpeg options (Velvia, chrome, standard), with little discussion of why the jpeg process was chosen.I really like Gordon, but I am hoping for a sequel. This book spends much more time discussing the geography, weather conditions, building history, etc., with too little discussion on why he chose the specific jpeg conversion. It would have been nice to see less pictures, and instead, showing a picture photographed and converted to jpeg with mild, medium, strong contrast, sharpness, saturation, and a good explanation of those controls, as well as when, why to utilize such adjustments.
Gordon Laing, most notable to most photographers as the genius camera-reviewer behind cameralabs.com, has put together a diminutive coffee table book that is both a collection of outstanding images as well as an inspiring look at just what a knowledgeable photographer can do sans software. Appropriately titled In Camera, Laing explores time-saving techniques of shooting high quality jpgs rather than relying on hours of post production to achieve desired results.First, the coffee-table aspect of the book. Laing is a world traveler and presents in this collection images from around the world. Most of the one hundred shots come with an introduction to the place of origin and a bit of history. If this book were nothing more than that, Laing's travels and musings would be well worth the purchase- but we have yet to enjoy the elements designed for his main audience- photographers.Following his brief introductions to the subject, Laing goes into tremendous detail about how each image was shot. Unlike many texts that suggest that the artist approached the shoot with complete premeditation and control, Laing steps into his environment and begins evaluating the variables that will create different images. He clearly spends hours at many of his shoots, changing angles, settings and every imaginable variable, often choosing the best image well after the shoot. Laing writes all about the process of photography, only addressing the product when the process in completed. This is the genius of his book- it's about methodology, premeditated trial-and-error- no, not error, trial-and thoughtful reflection of results. You don't follow a step-by-step algorithm for a great shot; rather, you work the image with your hardware, the camera's software options, and your own creativity.Laing will likely affect you with his style and techniques. Two that most impressed me were his use of monochromatic images and his long-exposure shooting.His use of grayscale was fascinating not solely because of his final images, but for the reasons that he chooses to use grayscale in the first place. A better understanding of what sort of subjects and shooting situations suggest grayscale shooting was a great takeaway of this book. And though it is obvious that long exposure times are required for night shots and smoothing moving water of waterfalls, Laing's use of this technique extends far beyond these obvious applications and produces images that are stunningly beautiful and unique.If there is a criticism to offer of this book, it's about the layout. There is no logical sequence in its presentation, which lends the coffee-table analogy to its format- this is a book that you can pick up and browse in parts. But while not a textbook, this is a book from which to learn, and there is plenty of material from which to glean information. The random nature of the presentation thus necessitates a lot of reiteration- an obvious example are the many descriptions of the ND filters. While grouping of common topics could have cut down on repetition and also created a concentrated section from which he could build in complexity, it would also have felt more "textbookish", and perhaps Laing was looking to avoid that feel.In Camera is a book that will inspire as well as train, and for non-photographers, it will present beautiful images and brief stories that can be enjoyed by all. Superb and beautiful book- and I'm looking forward to his next one!
Mr. Laing shows how you can make use of the advanced features of recent enthusiast cameras to do what use to require a computer. Features like in-camera raw processing, HDR, and shooting B&W with a filter effect while retaining the ability to have a color version, long exposure times using your cell phone, etc. This book could be subtitled long exposure photography. Mr. Laing favors shots with the sky and a body of water (even a puddle can help a picture) but he likes to smooth both out for an ethereal effect. Long exposures accomplish that in camera. All the details you need to know are provided in the discussion of each photo. It is also a travel photography and you will see a large sample of interesting places in Europe and major US cities (I forgot the Slot Canyon in Arizona).The EXIF data for each picture is the upper left. Up front, there is a thumbnail picture index.Most pictures were shot with a wide-angle lens. I guess it helps to get in close in front of tourists and passing vehicles and other unwanted details.
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