Minggu, 31 Desember 2017

PDF Ebook Attack with Mikhail Tal (Cadogan Chess Books)By Mikhail Tal, Iakov Damsky

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Attack with Mikhail Tal (Cadogan Chess Books)By Mikhail Tal, Iakov Damsky

Attack with Mikhail Tal (Cadogan Chess Books)By Mikhail Tal, Iakov Damsky


Attack with Mikhail Tal (Cadogan Chess Books)By Mikhail Tal, Iakov Damsky


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Attack with Mikhail Tal (Cadogan Chess Books)By Mikhail Tal, Iakov Damsky

The legendary Mikhail Tal was the finest ever exponent of attacking chess. His all-out sacrificial style took him all the way to the World Championship title. Dogged by ill-health, Tal's reign was a short one, and he was never able to regain his crown, but Tal remained an outstanding player right up to his death in 1992. His departure has taken away one of the chess world's most charismatic figures; a player who excited chess passions wherever he went. In this, his last book, written together with Russian sports journalist Iakov Damsky, Tal shows how to unleash devastating attacks in all kinds of positions.

  • Sales Rank: #425969 in Books
  • Model: 1844502
  • Published on: 1994-08-01
  • Original language: Russian
  • Number of items: 1
  • Dimensions: 8.25" h x .49" w x 5.80" l, .3 pounds
  • Binding: Paperback
  • 184 pages

From the Back Cover
The legendary Mikhail Tal was the finest ever exponent of attacking chess. His all-out sacrificial style took him all the way to the World Championship title. Dogged by ill-health, Tal's reign was a short one, and he was never able to regain his crown, but Tal remained an outstanding player right up to his death in 1992. His departure has taken away one of the chess world's most charismatic figures; a player who excited chess passions wherever he went. In this, his last book, written together with Russian sports journalist Iakov Damsky, Tal shows how to unleash devastating attacks in all kinds of positions.

About the Author
The legendary Mikhail Tal was the finest ever exponent of attacking chess. His all-out sacrificial style took him all the way to the World Championship title. Dogged by ill-health, Tal's reign was a short one, and he was never able to regain his crown, but Tal remained an outstanding player right up to his death in 1992. His departure has taken away one of the chess world's most charismatic figures; a player who excited chess passions wherever he went. Lakov Damsky is an experienced radio and TV commentator and author of several books for Everyman - The Art of Defence in Chess (with Lev Polugayevsky 1996), Attack with Mikhail Tal (with Mikhail Tal 1994), The Heavy Pieces in Action (1997)

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Selasa, 19 Desember 2017

Download PDF Rules Of CivilityBy Amor Towles

Download PDF Rules Of CivilityBy Amor Towles

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Rules Of CivilityBy Amor Towles

Rules Of CivilityBy Amor Towles


Rules Of CivilityBy Amor Towles


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Rules Of CivilityBy Amor Towles

"The New York Times" bestselling novel that "enchants on first reading and only improves on the second" ("The Philadelphia Inquirer")

This sophisticated and entertaining first novel presents the story of a young woman whose life is on the brink of transformation. On the last night of 1937, twenty-five-year-old Katey Kontent is in a second-rate Greenwich Village jazz bar when Tinker Grey, a handsome banker, happens to sit down at the neighboring table. This chance encounter and its startling consequences propel Katey on a year-long journey into the upper echelons of New York society--where she will have little to rely upon other than a bracing wit and her own brand of cool nerve. With its sparkling depiction of New York's social strata, its intricate imagery and themes, and its immensely appealing characters, "Rules of Civility" won the hearts of readers and critics alike.

  • Sales Rank: #1408538 in Books
  • Published on: 2012-08-07
  • Format: Large Print
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.00" w x 5.50" l, 1.05 pounds
  • Binding: Paperback
  • 577 pages

Amazon.com Review
Amazon Best Books of the Month, August 2011 Set during the hazy, enchanting, and martini-filled world of New York City circa 1938, Rules of Civility follows three friends--Katey, Eve, and Tinker--from their chance meeting at a jazz club on New Year's Eve through a year of enlightening and occasionally tragic adventures. Tinker orbits in the world of the wealthy; Katey and Eve stretch their few dollars out each evening on the town. While all three are complex characters, Katey is the story's shining star. She is a fully realized heroine, unique in her strong sense of self amidst her life's continual fluctuations. Towles' writing also paints an inviting picture of New York City, without forgetting its sharp edges. Reminiscent of Fitzgerald, Rules of Civility is full of delicious sentences you can sit back and savor (most appropriately with a martini or two). --Caley Anderson

A sophisticated and entertaining debut novel about an irresistible young woman with an uncommon sense of purpose.

Set in New York City in 1938, Rules of Civility tells the story of a watershed year in the life of an uncompromising twenty-five-year- old named Katey Kontent. Armed with little more than a formidable intellect, a bracing wit, and her own brand of cool nerve, Katey embarks on a journey from a Wall Street secretarial pool through the upper echelons of New York society in search of a brighter future.

The story opens on New Year's Eve in a Greenwich Village jazz bar, where Katey and her boardinghouse roommate Eve happen to meet Tinker Grey, a handsome banker with royal blue eyes and a ready smile. This chance encounter and its startling consequences cast Katey off her current course, but end up providing her unexpected access to the rarified offices of Conde Nast and a glittering new social circle. Befriended in turn by a shy, principled multimillionaire, an Upper East Side ne'er-do-well, and a single-minded widow who is ahead of her times, Katey has the chance to experience first hand the poise secured by wealth and station, but also the aspirations, envy, disloyalty, and desires that reside just below the surface. Even as she waits for circumstances to bring Tinker back into her orbit, she will learn how individual choices become the means by which life crystallizes loss.

Elegant and captivating, Rules of Civility turns a Jamesian eye on how spur of the moment decisions define life for decades to come. A love letter to a great American city at the end of the Depression, readers will quickly fall under its spell of crisp writing, sparkling atmosphere and breathtaking revelations, as Towles evokes the ghosts of Fitzgerald, Capote, and McCarthy.

Amor Towles's Rules of Civility Playlist

You can listen to the playlist here.

While jazz is not central to the narrative of Rules of Civility, the music and its various formulations are an important component of the book’s backdrop.

On the night of January 16, 1938, Benny Goodman assembled a bi-racial orchestra to play jazz to a sold-out Carnegie Hall--the first jazz performance in the hallowed hall and one which is now famous for bringing jazz (and black performers) to a wider audience. I am not a jazz historian, but for me the concert marks something of a turning point in jazz itself--from the big-band, swing-era sound that dominated the 1930s (and which the orchestra emphasized on stage that night) towards the more introspective, smaller group styles that would soon spawn bebop and its smoky aftereffects (ultimately reaching an apogee with Miles Davis’s Kind of Blue in 1957). For it is also in 1938 that Coleman Hawkins recorded the bebop antecedent "Body & Soul" and Minton’s Playhouse, one of the key bebop gathering spots, opened in Harlem. By 1939, Blue Note Records was recording, and Dizzy Gillespie, Charlie Parker and Thelonious Monk were all congregating in New York City. From 1935-1939, Goodman himself was stepping out of the big-band limelight to make more intimate improvisational recordings with a quartet including Gene Krupa and Lionel Hampton.

My assertion of this as a turning point (like most such assertions) is rough, inexact and misleading, but it helps give shape to an evolution and bring into relief two ends of a jazz spectrum. On the big-band front, the power of the music naturally springs from the collective and orchestration. In numbers like "Sing, Sing, Sing," the carefully layered, precisely timed waning and waxing of rhythm and instrumentation towards moments of unified musical ecstasy simply demand that the audience collaborate through dance, cheers, and other outward expressions of joy. While in the smaller groups of bebop and beyond, the expressive power springs more from the soloist and his personal exploration of the music, his instrument, and his emotional state at that precise moment in time. This inevitably inspires in the listener a cigarette, a scotch, and a little more introspection. In a sense, the two ends of this jazz spectrum are like the public/private paradox of Walker Evans’s subway photographs (and of life in the metropolis itself.)

If you are interested, I have created an playlist of music from roughly 1935-1945 that spans this transition. The playlist is not meant to be comprehensive or exact. Among other items, it includes swinging live performances from Goodman’s Carnegie Hall Concert as well as examples of his smaller group work; there are precursors to bebop like Coleman Hawkins and some early Charlie Parker. As a strange historical footnote, there was a strike in 1942–1944 by the American Federation of Musicians, during which no official recordings were made. As such, this period at the onset of bebop was virtually undocumented and thus the records of 1945 reflect something of a culmination of early bebop rather than its starting point. The playlist also reflects the influence of the great American songbook giants (Cole Porter, Duke Ellington, Irving Berlin, Rodgers & Hart, the Gershwins), many of whom were at the height of their powers in the 1930s. --Amor Towles

Listen to the playlist

Review
"The new novel we couldn't put down...in the crisp, noirish prose of the era, Towles portrays complex relationships in a city that is at once melting pot and elitist enclave - and a thoroughly modern heroine who fearlessly claims her place in it."
-"O, the Oprah Magazine"
"This very good first novel about striving and surviving in Depression- era Manhattan deserves attention...The great strength of "Rules of Civility" is in the sharp, sure-handed...evocation of Manhattan in the late '30s."
-"Wall Street Journal"
"Put on some Billie Holiday, pour a dry martini and immerse yourself in the eventful life of Katey Kontent...[Towles] clearly knows the privileged world he's writing about, as well as the vivid, sometimes reckless characters who inhabit it."
-"People"
"Even the most jaded New Yorker can see the beauty in Amor Towles' "Rules of Civility," the antiqued portrait of an unlikely jet set making the most of Manhattan."
-"The San Francisco

About the Author
Amor Towles was born and raised just outside Boston, Massachusetts. He graduated from Yale University and received an MA in English from Stanford University, where he was a Scowcroft Fellow. He is a Principal at an investment firm in Manhattan, where he lives with his wife and two children.

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Senin, 18 Desember 2017

Download Ebook Cutter and BoneBy Newton Thornburg

Download Ebook Cutter and BoneBy Newton Thornburg

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Cutter and BoneBy Newton Thornburg

"A thriller, and a whacking good thriller, too—shows how much can be done by a writer who knows his business—the best novel of its kind in ten years!" —THE NEW YORK TIMES

Cutter is a scarred and crippled Vietnam veteran, obsessed with a murder he's convinced his buddy, Bone, witnessed. That it was committed by the powerful tycoon JJ Wolfe only makes Cutter even surer that Bone saw the unthinkable.

Captivated by Cutter's demented logic, Bone is prepared to cross the country with Cutter in search of proof of the murder. Their quest takes them into the Ozarks—home base of the Wolfe empire—where Bone discovers that Cutter is pursuing both a cold-blooded killer, but also an even bigger and more elusive enemy.

  • Sales Rank: #160520 in eBooks
  • Published on: 2015-04-05
  • Released on: 2015-04-05
  • Format: Kindle eBook

From Booklist
*Starred Review* Thornburg’s 1976 thriller may be the quintessential cult crime classic. It’s one of those books that isn’t widely known today—it came and went at the time of its publication, reviewed well but never garnering widespread attention—but continues to be cited by other writers as groundbreaking (George Pelecanos wrote the glowing introduction to the 2001 reprint edition). It’s a post-Vietnam novel as much as it is crime fiction, much like Robert Stone’s Dog Soldiers (1974). Its dual protagonists are Richard Bone, once a middle-class midwestern ad man, now a dissolute California drifter, and Alex Cutter, a crippled vet with a serious grudge against the corporate world. Bone sees a man he thinks might be tycoon J. J. Wolfe stuffing something into a trash can. That something turns out to be a hooker, and at Cutter’s prodding, Bone and Cutter attempt to find out if it really was Wolfe who did the stuffing. We know from the start that nothing good can come of their investigation. Cutter would have us think that nailing this one rich guy would be a small symbolic step toward righting a world that went seriously wrong with Vietnam. Bone, like the reader, knows differently but can’t help following the scent. There is a peculiar kind of despair that sinks into the bone marrow of damaged war survivors—film noir was born out of that despair in the post-WWII era—and Thornburg nails the Vietnam version. The ending is pure Chinatown, with a dose of Easy Rider, and it leaves us reeling. --Bill Ott

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Rabu, 13 Desember 2017

PDF Download How to Shoot a Feature Film for Under $10,000 (And Not Go to Jail)By Bret Stern

PDF Download How to Shoot a Feature Film for Under $10,000 (And Not Go to Jail)By Bret Stern

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How to Shoot a Feature Film for Under $10,000 (And Not Go to Jail)By Bret Stern

How to Shoot a Feature Film for Under $10,000 (And Not Go to Jail)By Bret Stern


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How to Shoot a Feature Film for Under $10,000 (And Not Go to Jail)By Bret Stern

Right now, you're wondering, "Gee, what kind of information is in this cute yet stylish guide?" Sure, there are a bunch of other books that will take you through the filmmaking process, and if your name is Beaver Cleaver, you might be interested in them.

But you should know that filmmaking is a war, and this book will lead you through it like no other. These pages contain information learned from years spent in the filmmaking trenches.

Anyone with a credit card can rent a camera and buy film stock -- but who can:

  • Rent a camera for two weeks and pay for only two days?
  • Set the exposure on the camera without a light meter?
  • Feed a crew of twenty with yesterday's chicken soup?

Not many.

You want more? Then turn the book over and crack her open.

Still here?

Fine -- we'll do it the hard way: This book will tell you how to shoot a sex scene, tell you what a stinger is. And if you need help writing your script, we'll give you some scenes to copy right into your screen-play -- and yes, we even provide the characters.

In short, everything you need to know about filmmaking in the real world is in this book. Everything. We'll even help you select the proper baseball cap so you can look like a big-time director.

Now start reading. Let's make film history.

  • Sales Rank: #174441 in Books
  • Published on: 2002-09
  • Released on: 2002-08-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .73" w x 5.31" l, .60 pounds
  • Binding: Paperback
  • 320 pages

About the Author

Bret Stern started making feature films the day after college. He and some fanatical friends waited for the campus to empty out over Christmas break, and after taking the stuff in the school's equipment room, Bret and his crew spent seven days cranking out a feature film -- the only setbacks were the foreign students who raided the set for reading materials and the fake blood with chicken giblets that backed up the dorm's drainage system. After that there was only one alternative left -- to keep making movies. A brief stint as a location scout and then as Slaveboy at a New York commercial production company followed. Before getting fired Bret moved up from Slaveboy to Whipping Boy and then shot some commercials as Director of Photography. Once the hammer dropped, Bret had to decide which path to pursue, and although commercial work pays better, who could resist the opportunity to sleep in a cot in a bar for a week and take showers with a garden hose in the basement? What followed were the feature films Perfect Lies and Dark Tides (where Bret got to sleep on a real bed but he had to share it with his Assistant Director). After much abuse, he felt back into his role as DP, shooting and directing many commercials. Days after he had enough money for the down payment on a house (and faster than his wife could say "Hutch and China set"), Bret was at work on Road to Park City, which opened the 2000 Slamdance Film Festival and played in over fifteen others. What's next for Bret? After acquiring the grandfather clock for the house, it was time for the next feature -- a sci-fi extravaganza with a budget of $10,000, minus one cent.

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